{"id":1118,"date":"2020-12-13T19:19:00","date_gmt":"2020-12-13T19:19:00","guid":{"rendered":"http:\/\/desres20.netornot.at\/?p=1118"},"modified":"2021-05-25T16:54:16","modified_gmt":"2021-05-25T16:54:16","slug":"zeitgenossische-fotografie-stilleben","status":"publish","type":"post","link":"http:\/\/desres20.netornot.at\/?p=1118","title":{"rendered":"Contemporary photography &#8211; Still life"},"content":{"rendered":"\n<p>Modern still life photographs benefit above all from the teaching of still life painting, which flourished in the 17th century. Still life has been used as a motif for centuries and is now being reinterpreted. Above all, the design direction is interesting, which adopts the compositional bases and the optical structure of the classic still lifes and refreshes them with modern elements. This modern direction mostly has a humorous, sarcastic or even socially critical character.<\/p>\n\n\n\n<figure class=\"is-layout-flex wp-block-gallery-1 wp-block-gallery columns-3 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" loading=\"lazy\" width=\"564\" height=\"846\" src=\"http:\/\/desres20.netornot.at\/wp-content\/uploads\/2020\/12\/588463174e0549633abe1183c183454f-1.jpg\" alt=\"\" data-id=\"1119\" data-link=\"http:\/\/desres20.netornot.at\/?attachment_id=1119\" class=\"wp-image-1119\" srcset=\"http:\/\/desres20.netornot.at\/wp-content\/uploads\/2020\/12\/588463174e0549633abe1183c183454f-1.jpg 564w, http:\/\/desres20.netornot.at\/wp-content\/uploads\/2020\/12\/588463174e0549633abe1183c183454f-1-200x300.jpg 200w\" sizes=\"(max-width: 564px) 100vw, 564px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" loading=\"lazy\" width=\"563\" height=\"676\" src=\"http:\/\/desres20.netornot.at\/wp-content\/uploads\/2020\/12\/d89c22418020d4ac9f25d18ce65a2eec.jpg\" alt=\"\" data-id=\"1120\" data-link=\"http:\/\/desres20.netornot.at\/?attachment_id=1120\" class=\"wp-image-1120\" srcset=\"http:\/\/desres20.netornot.at\/wp-content\/uploads\/2020\/12\/d89c22418020d4ac9f25d18ce65a2eec.jpg 563w, http:\/\/desres20.netornot.at\/wp-content\/uploads\/2020\/12\/d89c22418020d4ac9f25d18ce65a2eec-250x300.jpg 250w\" sizes=\"(max-width: 563px) 100vw, 563px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" loading=\"lazy\" width=\"564\" height=\"846\" src=\"http:\/\/desres20.netornot.at\/wp-content\/uploads\/2020\/12\/dba9a4b85fd592d8c39e4f9a93e0575f-1.jpg\" alt=\"\" data-id=\"1121\" data-full-url=\"http:\/\/desres20.netornot.at\/wp-content\/uploads\/2020\/12\/dba9a4b85fd592d8c39e4f9a93e0575f-1.jpg\" data-link=\"http:\/\/desres20.netornot.at\/?attachment_id=1121\" class=\"wp-image-1121\" srcset=\"http:\/\/desres20.netornot.at\/wp-content\/uploads\/2020\/12\/dba9a4b85fd592d8c39e4f9a93e0575f-1.jpg 564w, http:\/\/desres20.netornot.at\/wp-content\/uploads\/2020\/12\/dba9a4b85fd592d8c39e4f9a93e0575f-1-200x300.jpg 200w\" sizes=\"(max-width: 564px) 100vw, 564px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Examples for modern still life photography<\/strong><\/p>\n\n\n\n<div class=\"is-layout-flow wp-block-group\"><div class=\"wp-block-group__inner-container\">\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/desres20.netornot.at\/wp-content\/uploads\/2020\/12\/Ori-Gersht-Time-after-Time-Blow-Up-No.-03.jpg\" alt=\"\" class=\"wp-image-1128\" width=\"127\" height=\"170\" srcset=\"http:\/\/desres20.netornot.at\/wp-content\/uploads\/2020\/12\/Ori-Gersht-Time-after-Time-Blow-Up-No.-03.jpg 425w, http:\/\/desres20.netornot.at\/wp-content\/uploads\/2020\/12\/Ori-Gersht-Time-after-Time-Blow-Up-No.-03-225x300.jpg 225w\" sizes=\"(max-width: 127px) 100vw, 127px\" \/><\/figure><\/div>\n\n\n\n<p><strong>Blow up \u2013 Ori Gersht<\/strong><\/p>\n<\/div><\/div>\n\n\n\n<p>The photograph shows the moment when a bouquet of flowers explodes. The composition is based on a classic example by Henri Fantin-Latour. The technical development of photography enables the artist to capture a 6000th fraction of a second. The intensity of the explosion is deliberately emphasized in this work as a contrast to the calm, classic still life painting. According to Gersht, the message of impermanence should remain.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"is-layout-flow wp-block-group\"><div class=\"wp-block-group__inner-container\">\n<div class=\"is-layout-flow wp-block-group\"><div class=\"wp-block-group__inner-container\">\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/desres20.netornot.at\/wp-content\/uploads\/2020\/12\/Cindy-Wright-Nature-Morte.jpg\" alt=\"\" class=\"wp-image-1129\" width=\"177\" height=\"172\" srcset=\"http:\/\/desres20.netornot.at\/wp-content\/uploads\/2020\/12\/Cindy-Wright-Nature-Morte.jpg 425w, http:\/\/desres20.netornot.at\/wp-content\/uploads\/2020\/12\/Cindy-Wright-Nature-Morte-300x289.jpg 300w\" sizes=\"(max-width: 177px) 100vw, 177px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-left\"><strong>Natura Morte 2 \u2013 Cindy Wright<\/strong><\/p>\n\n\n\n<p>The work of the artist Cindy Wright has a consumer-critical aftertaste. In the past, dead animals were often used as a motif in still life in classic paintings. However, in our modern times, the artist would like to draw attention to the fact that meat and fish are considered food, but pay a high price for it, as the death of a living being is claimed. This moral responsibility is illustrated by the portrait with the gutted fish in an ornate fishbowl.<\/p>\n\n\n\n<p><\/p>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"is-layout-flow wp-block-group\"><div class=\"wp-block-group__inner-container\">\n<div class=\"is-layout-flow wp-block-group\"><div class=\"wp-block-group__inner-container\">\n<div class=\"is-layout-flow wp-block-group\"><div class=\"wp-block-group__inner-container\">\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/desres20.netornot.at\/wp-content\/uploads\/2020\/12\/Livia-Martin-from-the-series-Broken-Things.jpg\" alt=\"\" class=\"wp-image-1130\" width=\"239\" height=\"158\" srcset=\"http:\/\/desres20.netornot.at\/wp-content\/uploads\/2020\/12\/Livia-Martin-from-the-series-Broken-Things.jpg 732w, http:\/\/desres20.netornot.at\/wp-content\/uploads\/2020\/12\/Livia-Martin-from-the-series-Broken-Things-300x199.jpg 300w\" sizes=\"(max-width: 239px) 100vw, 239px\" \/><\/figure><\/div>\n\n\n\n<p><strong>Broken Things \u2013 Livia Marin<\/strong><\/p>\n\n\n\n<p>This work is also about removing everyday objects from the ordinary image. In this way one raises the value of the object to something special, as it is intended in the whole ideology of a still life. With this depiction of the broken and then healed cup, the artist demands more attention for the works that are connected and created with life.<\/p>\n\n\n\n<p><\/p>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"is-layout-flow wp-block-group\"><div class=\"wp-block-group__inner-container\">\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/desres20.netornot.at\/wp-content\/uploads\/2020\/12\/Klaus-Pichler-Strawberries.jpg\" alt=\"\" class=\"wp-image-1131\" width=\"198\" height=\"159\" srcset=\"http:\/\/desres20.netornot.at\/wp-content\/uploads\/2020\/12\/Klaus-Pichler-Strawberries.jpg 425w, http:\/\/desres20.netornot.at\/wp-content\/uploads\/2020\/12\/Klaus-Pichler-Strawberries-300x240.jpg 300w\" sizes=\"(max-width: 198px) 100vw, 198px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-left\"><strong>One third&nbsp;&nbsp;&#8211; Klaus Pichler<\/strong><\/p>\n\n\n\n<p>The series of photographs by Klaus Pichler criticizes the wear and tear of food, which, according to a UN study, amounts to around a third of the food produced. The arranged motifs, which show moldy food, should also draw attention to the transport, production and resources used for the food.<\/p>\n\n\n\n<p><\/p>\n<\/div><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Quellen:<\/p>\n\n\n\n<p class=\"has-small-font-size\"><a href=\"https:\/\/www.fresko-magazin.de\/stillleben-reloaded\/\">https:\/\/www.fresko-magazin.de\/stillleben-reloaded\/<\/a><\/p>\n\n\n\n<p class=\"has-small-font-size\"><a href=\"https:\/\/www.pixolum.com\/blog\/fotografie\/stillleben\">https:\/\/www.pixolum.com\/blog\/fotografie\/stillleben<\/a><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Modern still life photographs benefit above all from the teaching of still life painting, which flourished in the 17th century. Still life has been used as a motif for centuries and is now being reinterpreted. Above all, the design direction is interesting, which adopts the compositional bases and the optical structure of the classic still<\/p>\n<footer class=\"entry-footer index-entry\">\n<div class=\"post-social pull-left\"><a href=\"https:\/\/www.facebook.com\/sharer\/sharer.php?u=http%3A%2F%2Fdesres20.netornot.at%2F%3Fp%3D1118\" target=\"_blank\" class=\"social-icons\"><i class=\"fa fa-facebook\" aria-hidden=\"true\"><\/i><\/a><a href=\"https:\/\/twitter.com\/home?status=http%3A%2F%2Fdesres20.netornot.at%2F%3Fp%3D1118\" target=\"_blank\" class=\"social-icons\"><i class=\"fa fa-twitter\" aria-hidden=\"true\"><\/i><\/a><a href=\"https:\/\/www.linkedin.com\/shareArticle?mini=true&#038;url=http%3A%2F%2Fdesres20.netornot.at%2F%3Fp%3D1118&#038;title=Contemporary+photography+%26%238211%3B+Still+life\" target=\"_blank\" class=\"social-icons\"><i class=\"fa fa-linkedin\" aria-hidden=\"true\"><\/i><\/a><\/div>\n<p class=\"link-more\"><a href=\"http:\/\/desres20.netornot.at\/?p=1118\" class=\"more-link\">Continue reading <span class=\"meta-nav\">\u2192<\/span><\/a><\/p>\n<\/footer>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[2],"tags":[],"_links":{"self":[{"href":"http:\/\/desres20.netornot.at\/index.php?rest_route=\/wp\/v2\/posts\/1118"}],"collection":[{"href":"http:\/\/desres20.netornot.at\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/desres20.netornot.at\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/desres20.netornot.at\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"http:\/\/desres20.netornot.at\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1118"}],"version-history":[{"count":23,"href":"http:\/\/desres20.netornot.at\/index.php?rest_route=\/wp\/v2\/posts\/1118\/revisions"}],"predecessor-version":[{"id":5585,"href":"http:\/\/desres20.netornot.at\/index.php?rest_route=\/wp\/v2\/posts\/1118\/revisions\/5585"}],"wp:attachment":[{"href":"http:\/\/desres20.netornot.at\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1118"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/desres20.netornot.at\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1118"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/desres20.netornot.at\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1118"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}